The Slope Gets Slipperier
Last night, I did something I rarely do, i.e. watch a foreign film. Turner Classic Movies aired it. It was called "Au Revoir, Les Enfants," and was the late director Louis Malle's semi-autobiographical tale of being in a Vichy France boys' school during World War II. The basic plot line involved two boys, one 12 and the other 13. The older was a Jewish boy being hidden by the Catholic leaders of this school, and the younger boy was from a well-to-do French family. The Jewish boy was the most unpopular boy in class, but the two kids bond and form a friendship. Later, when the Nazis came into the school to find hidden Jews, the younger boy inadvertently gives his friend away with a glance, and the Jewish boy is taken off to a concentration camp where he is later murdered by the Nazis.
Now in and of itself, this is a tragic, moving story. It was well acted and well shot. But I have a problem with it in light of the growing culture war in this country. The film was full of the young boys -- pre-teen and teen -- using profanity, sexual innuendo, disrespect to parents (the younger French boy swore at his mother and said that he hated her -- although he really didn't) and a host of other things. Just a couple of the disturbing scenes involved the 12-year-old in a bathhouse with the other boys, and it showed him lying down in a bathtub thinking of his beautiful young piano teacher and masturbating. His hands strategically covered his genitals, but you clearly got the idea of what he was doing. The priest came in to get him out of the tub so another boy could use it, and the kid looked up with a big grin at the priest's disapproval, saying, "I can't help it." The same character was also shown waking up in the night, swearing when he discovered that he had had a nocturnal emission, and then trying madly to clean it up before it was discovered.
My point is, why? Why show all this? Of course, things like that probably happened, but is it really necessary to tell the story? It also annoys me from another standpoint. This was an older film -- almost 20 years old -- but the inappropriateness is timeless. The Christian moral reasons are obvious, but even the non-believer ought to appreciate this issue in light of the global problem with child sexual exploitation. That issue wasn't quite as big in the news 20 years ago as it is today, but that fact alone ought to make programmers here in the States think before they air things. Of course, when you have a host of entertainment executives who somehow think things like this are endearing artistic statements . . . sigh.
Foreign film has always been explicit. The late Hollywood Production Code was strictly an American convention, although it died in the mid-1960s. But there is still some restraint among American filmmakers. And that brings me to my main point with this post. Remember the flap over Nicole Kidman's recent film about a child being her reincarnated husband or some such rot? They shared a nude bathtub scene together.
Years ago, that would have been unthinkable. Today, while there was an outcry, it was largely ignored. Again, it seems to me that the entertainment industry is intentionally using the "frog in the kettle" and slowly pushing the envelope of standards down ever further. I have always loved Turner Classic Movies because of the old films they show from Hollywood's Golden Age. In the past couple of years, however, they have been broadening their spectrum and the change hasn't been a good one. Last month, they highlighted films with gay and lesbian subtexts. Now, we have child sexuality flung at us in the midst of what would otherwise have been a very touching story. What's next?
I'll leave it to your imagination, like the old Production Code. Anyway, as a barometer of our culture's health, it's a bad sign. Now, what will we do about it? Roll over and go back to sleep? Probably. And I am afraid that when we finally wake up, the nightmare we just had will be all too real.

